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Artist

migliore bryn marie

manchester 1980

Born in 1980, Manchester, New Hampshire, USA. Her early life was surrounded by creativity and art growing up. Initially by her father’s love of woodworking in his shop and mothers sense of style and design and then by her artist aunt taking her along to watercolor courses at the Museum of Fine Arts in Boston, Massachusetts. She continued her passion for art by pursuing Fine Arts at Pratt Institute of Art in Brooklyn, New York and then continuing on to obtain a Bachelor of Fine Arts Sculpture at Plymouth State University in 2005. In 2011, she moved to Lugano, Switzerland with her family where she has since lived and worked as an artist. In the beginning of 2015, she began an apprenticeship to learn the lost wax bronze casting process at Perseo Fonderia d'Arte in Mendrisio, Switzerland. It was there she developed a new love and passion for bronze art technique within sculpture. My most recent work and projects have consisted of exploring the transformation within ourselves that occurs over the course of our lives and existence. From the tiny forms of our DNA existing within the enormity of our universe, to the role these forms play and how they exist within the cycles of life. How people grow, as artists, as beings within a society constantly evolving and most recently during the course of this pandemic, how we evolve. How beliefs and credence morph and change over the years and how while some people will use the experiences throughout their lives as inspiration, others become stifled. “In these years, more than ever before, we are all connected through use of technology in such a rapid state that it affects the very beings that we are within our core.” Exploring the relationships between those connections and changes with the fundamental belief of who we are within the universe and how we interact and that there is no coincidence between these relationships has become my source of inspiration in my most recent works.

Full Bio
Title

LA RAGNA

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Based on Blockchain

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Dimensions

62 (H) x 125 (W) 82 (z) cm

Year

2015

Technique

WELDED BRONZE

THIS PIECE WAS INITIALLY CREATED AS AN HOMAGE TO THE LATE ARTIST LOUISE BOURGEOIS. I CHOSE TO CREATE IT FROM DISCARDED PIECES OF BRONZE THAT HAD BEEN THE CANALS AND OVERPOUR CUT FROM OTHER SCULPTURES AFTER THEY WERE CAST. SHORTLY AFTER LEARNING THE LOST WAX PROCESS OF CASTING BROZE AT PERSEO ART FOUNDRY IN MENDRISIO, SWITZERLAND, I WAS SHOCKED TO DISCOVER THAT MANY BRONZE SCULPTURES, THOUGH DESIGNED BY THE ARTIST, ARE OFTEN THE WORK OF MANY TALENTED ARTISANS EMPLOYED AT THE FOUNDRY. I HAD ALWAYS WONDERED HOW LOUISE BOURGEOIS HAD CREATED HER ENORMOUS SPIDER SCULPTURES (FOR EXAMPLE: "SPIDER" & "MAMAN"). THOUGH AN ARTIST WHO HELD GREAT STRENGTH, BOTH IN HER HANDS, HEART AND MIND, I STILL COULD NOT COMPREHEND HOW A WOMAN AS PETITE AS SHE COULD HAVE THE PHYSICAL STRENGTH TO CREATE SUCH MASTERPIECES. ONCE I HAD CREATED A FEW OF MY OWN PIECES AT THE FOUNDRY WITH THE HELP OF THESE ARTISANS, I UNDERSTOOD, AND I WAS INSPIRED TO CREATE THIS UNIQUE WELDED PIECE ALL ON MY OWN, BOTH AS A CHALLENGE, AND HOMAGE TO THE LATE ARTIST HERSELF. THE NAME "LA RAGNA" COMES FROM ITALIAN NAME FOR SPIDER:"IL RAGNO", WHICH TRADITIONALLY IS A MASCULINE NAME. HOWEVER, GIVEN THAT THIS PIECE IS A WORK INSPIRED BY A WOMAN AND CREATED BY A WOMAN ARTIST, CREATED BY A WOMAN ARTIST, I DECIDED TO CALL HER "LA RAGNA" AS A SORT OF PLAY ON WORDS AND ADDING MORE DEPTH TO THE CONCEPTUAL MEANING. S11150003

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CERTIFICATE OF AUTHENTICITY, BRONZO, BRONZE , BRONZE SCULPTURES

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