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Artist

radchenko ludmilla

omsk 1978

Ludmilla Radchenko was born in Omsk, Siberia on 11 November 1978, where in 1999 she graduated in Fashion Design. In the same year she moved to Italy to work as a model, show-girl and actress. In 2009 she chose to pursue her greatest passion: painting. Instinctive and vital, her art drove her toward Pop Realism. Since December 2010 her first catalogue “Power Pop” edited by Skira could be found in Feltrinelli libraries with a critic essay by Fortunato D’Amico. Ludmilla created a painting for a champion of moto GP Jorge Lorenzo, for F1 world’s champion Sebastian Vettel, for the rock star Jamiroquai. Far from presenting the object again and again in an hyperbolic and obsessive way as seen in the “classic” pop tradition, Radchenko loads it with social content in open accusation to its exploitation. Radchenko doesn't limit her interest to canvas but spreads her touch to fashion and design as well. The “Siberian Soup” FullART by Ludmilla Radchenko was registered as a new brand in 2013. In 2018 Mondadori Electa will publish the artist’s first official book, “From Siberia with Pop”, on the occasion of Ludmilla’s 10th year career anniversary. EXHIBITIONS 2018 • Mostra Personale, Stadio di Domiziano, Rome, Italy 2017 • “Scope Art Show” Miami Art Basel • “Drive Machine”, BMW Lugano, Switzerland • “Welcome to the world of fragrance” Avery, Execlsior, Milano, Italy • WHITE fashion show, Milano, Italy • M.A.C Music&Art Museum, Milan,Italy • Arte Salerno, Italy • TAG TheArtGallery, Lugano, Switzerland • VERNISSAGE “ERA DEL DRAGONE” FIFTY HOUSE HOTEL, Milan • CASA EXPO 2017, Brescia, Italy 2016 • Made in Italy Gourmet, Miami, USA • ASTA REPOP, Baze zero, Duomo21, Milan • TRANOI Trade Fashion Show, Paris, France • Galleria d’arte Mazzoleni, • Film Festival Venice, Italy • GRAND POP EXPOSITION Grand Hotel Villa Serbelloni, Bellagio, Italy • Contini Art Factory, Venice, Italy • BELAIRFINEART, Saint Tropez, France • Forte Anticità, Forte dei Marmi, Italy 2015 • Miami Art Context, Miami Art Basel, USA • M.A.C Music&Art Museum, Milan,Italy • ASTA POP, Baze Zero, Duomo21, Milan • Affordable Art Fair, Milan, Italy • Presentation of Capsule Collection • Monnalisa, Pitti Bimbo, Florence,Italy • Wikiarte mostra personale Philippe Daverio, Bologna, Italy • “Ice&Roses” MFW, Boscolo Milano, Italy • EXPO Bologna 2015, a cura di Philippe Daverio • Bologna, Italy • Maslenitsa Monaco, Anno della Russia Monte-Carlo,Monaco • EXPO 2015 Pavilion RUSSIA, ITALY, Milan, Italy 2014 • BELAIRFINEART, Verbier, Switzerland • Miami Art Week, Miami FL, USA • Bergamo Arte, Bergamo, Italy • Nhow Hotel, Milan, Italy • Pop Boutique Fashion fair, Miami FL, USA 2013 • Cà’D’Oro Gallery, Miami FL, USA • Idea del Reale, Milan, Italy • Agora Gallery, New York, USA • Affordable Art Fair, Amsterdam,Netherlands • Art Verona, Five Gallery, Verona, Italy • “Arte in Movimento”, Spoleto, Italy 2012 • PopNewPop, Ca’ D’Oro Gallery, Rome • “Pop Makers”, Brescia, Italy • “Film Festival” Manni Art Gallery, Venice,Italy • “Pop up” Palazzo del Monferrato, EIDOS Gallery, Alessandria, Italy • Art Verona, Eidos Gallery, Verona, Italy • “Post Marilyn”,Galerie Carré Doré, Monaco • MiArt EIDOS Gallery, Milan, Italy • “MADE IN JAPAN”, Triennale di Milano Italy • Biennale di Venezia, Vittorio Sgarbi, Italy 2011 • Superstudio, “Woman Been” Milan, Italy • Casa delle Culture Del Mondo, Milan,Italy • “Italian Revolution”, Museo della Mafia di Salemi 2010 • “Symphonie de Couleurs” Palazzo Papafava, Biennale Venice, Italy • Crown Fine Art Gallery, New York, USA • NAI Contemporary Gallery, Naples, Italy • Design Library, Milan, Italy • Teatro alla Scala, Milan, Italy • L.u.C.C.A - Museo di Arte Contemporanea • Gemluc Concours international Monte-Carlo, Monaco • Opera Gallery, Monaco • Triennale di Milano, “Resin Solutions” • RDBR Gallery, Via Margutta, Roma, Italy 2009 • Wannabee Gallery, Milano, Italy • Salon des Arts, Lugano, Switzerland

Full Bio
Title

CESSURED

ArtID Augmented Reality

Try it on your wall

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Dimensions

150 (H) x 100 (W) 5 (z) cm

Year

2012

Technique

TECHNIQUE: COLLAGE, ACRYLIC, RESIN ON CANVAS

CESSURED, STATO GOSSIP IL POPREALISM DI LUDMILLA SI BASA SU FATTI REALI, STRAPPA STRALCI DAL QUOTIDIANO RIASSEMBLANDOLI IN UN NUOVO PUZZLE, DANDO COSÌ VITA A UN UN MESSAGGIO DIRETTO. UN COLLAGE TRA ARTE E ATTUALITÀ, TRA IRONIE E PROBLEMATICHE, TRA RIVISTE E QUOTIDIANI, TRA PRESTAMPATI E PAROLIBERE, DA QUI ANCHE IL GIOCO DI PAROLE CHE CONFERISCONO IL TITOLO ALL'OPERA: CESSURED, PRODOTTO DALLA FUSIONE DEI TERMINI: CESSO E CENSURED. L'ARTE URLATA DI LUDMILLA DENUNCIA LA CENSURA NEL MONDO DELLA COMUNICAZIONE CHE SI CIBA DI GOSSIP, SULLO SFONDO UN MURO DI PETTEGOLEZZI CHE RAPPRESENTA L'APPARENZA DAVANTI AL QUALE LA SOCIETÀ SI FERMA, STENDENDO UN VELO TRICOLORE VISIBILE ALLA DESTRA DELL'OPERA. IL SILENZIO ASSENSO DI DETERMINATI MECCANISMI DI INFORMAZIONE CREA DEI LIMITI, TIRANDO LO SCIACQUONE SU SCIAGURE COME L'INONDAZIONE DI GENOVA, RIFERIMENTO VISIBILE SULLA SINISTRA DELL'OPERA, SEGNO CHE ANCHE IN QUESTO CASO È STATO FATTO QUALCOSA FUORI DA OGNI DISCIPLINA O PIÙ IN GERGO: DAL VASO.. DALLA SAGOMA TRIONFANTE DEL CESSO SORGE UNA DELLE MANI DEL “GIUDIZIO UNIVERSALE” DI MICHELANGELO, PROTESA AD INDICARE ALL'OSSERVATORE UNA SCRITTA A BOMBOLETTA: “W LA TOPA” IN PURO STREET STYLE, QUASI INGENUO E PRIMITIVO CHE STA AD INDICARE LA REALE ESSENZA DI TUTTO CIÒ CHE CI HA PORTATI A TUTTO QUESTO, A CIÒ A CUI SI È DATA TROPPA IMPORTANZA PER TROPPO TEMPO. E SUBITO SOTTO UNA LUCE, CON UNA SCRITTA: EXIT, ROSSA PERCHÈ SCABROSA O PER INDICARCI UNA VIA D'USCITA? CESSURED, GOSSIP STATUS. QUEST'OPERA È STATA PRESENTATA ED ESPOSTA ALLA BIENNALE DI VENEZIA, NONCHÈ ELOGIATA E FIRMATA DAL NOTO CRITICO D'ARTE VITTORIO SGARBI LUDMILLA'S POPREALISM IS BASED ON REAL FACTS, SHE TEARS EXCERPTS FROM EVERYDAY LIFE BY REASSEMBLING THEM IN A NEW PUZZLE, BY GIVING LIFE TO A DIRECT MESSAGE. A COLLAGE BETWEEN ART AND CURRENT EVENTS, BETWEEN IRONIES AND PROBLEMS, BETWEEN MAGAZINES AND NEWSPAPERS, BETWEEN PRE-PRINTED AND FREE WORDS, HENCE THE PLAY ON WORDS THAT GIVE THE ARTWORK ITS TITLE: CESSURED, PRODUCED BY THE FUSION OF THE TERMS: CESSO AND CENSURED. LUDMILLA'S SCREAMED ART DENOUNCES CENSORSHIP IN THE WORLD OF COMMUNICATION THAT FEEDS ON GOSSIP, IN THE BACKGROUND A WALL OF GOSSIP THAT REPRESENTS THE APPEARANCE IN FRONT OF WHICH SOCIETY STOPS, SPREADING A TRICOLOR VEIL VISIBLE TO THE RIGHT OF THE WORK. THE SILENT ASSENT OF CERTAIN INFORMATION MECHANISMS CREATES LIMITS, FLUSHING THE TOILET ON DISASTERS SUCH AS THE FLOOD OF GENOA, A VISIBLE REFERENCE ON THE LEFT OF THE WORK, A SIGN THAT ALSO IN THIS CASE SOMETHING HAS BEEN DONE OUTSIDE OF ANY DISCIPLINE OR MORE IN JARGON. : FROM THE VASE .. FROM THE TRIUMPHANT SILHOUETTE OF THE TOILET RISES ONE OF THE HANDS OF MICHELANGELO'S "LAST JUDGMENT", REACHING OUT TO INDICATE TO THE OBSERVER A SPRAY CAN WRITTEN: "W LA TOPA" IN PURE STREET STYLE, ALMOST NAIVE AND PRIMITIVE WHICH IS INDICATE THE REAL ESSENCE OF EVERYTHING THAT HAS LED US TO ALL THIS, TO WHAT HAS BEEN GIVEN TOO MUCH IMPORTANCE FOR TOO LONG. AND IMMEDIATELY UNDER A LIGHT, WITH AN INSCRIPTION: EXIT, RED BECAUSE IT IS ROUGH OR TO SHOW US A WAY OUT? THIS ARTWORK WAS PRESENTED AND EXHIBITED AT THE VENICE BIENNALE ART FESTIVAL, AS WELL AS PRAISED AND SIGNED BY THE WELL-KNOWN ART CRITIC VITTORIO SGARBI

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